Best Albums of 2025
· music
Best Albums of 2025: A Year in Review
The music landscape of 2025 was characterized by a diverse array of releases that defied genre conventions and pushed the boundaries of what is possible within each style. From electronic dancefloors to folk-inspired singer-songwriter scenes, this year’s crop of albums showcased a deep-seated desire for experimentation and creative expression.
Indie rock saw a resurgence in popularity, with Mild High Club releasing their third album to critical acclaim. Their blend of psychedelic rock and soul was a highlight of the year, showcasing Kevin Parker’s influence on his contemporaries. In contrast, hip-hop continued its steady ascent, with Little Simz putting out her sophomore effort. Her UK roots were evident in her lyricism, which tackled themes of identity and British culture.
Electronic music saw a proliferation of sub-genres, from lush ambient textures to driving techno beats. Arca’s third solo album stood out for its genre-bending style, which incorporated elements of classical music and avant-garde noise. His release raised the bar for electronic artists and pushed the boundaries of what is possible within the genre.
Some of the most exciting releases came from emerging artists who were making their mark on the scene. Phoebe Bridgers’ sophomore album was a heart-wrenching exploration of love and loss, with lyrics delivered in her distinctive deadpan tone that were both deeply personal and universally relatable. Sudan Archives, a Chicago-based producer and multi-instrumentalist, blended elements of electronic music with traditional African instrumentation to create something entirely new on her debut album.
Our pick for album of the year goes to FKA twigs’ “Magdalene”. This sophomore effort saw her pushing the boundaries of electronic music even further, incorporating elements of R&B and classical music into her distinctive sound. Her themes of love, heartbreak, and empowerment were conveyed through innovative production techniques, from haunting vocal harmonies to eerie synth textures.
One standout track was “Cellophane”, which featured twigs’ signature vocoder effect over a minimalist beat. The result was both intimate and expansive, capturing the listener’s imagination while conveying the artist’s emotions in vivid detail.
While many albums explored themes of love and relationships, Phoebe Bridgers’ sophomore effort stood out for its introspective tone. Her lyrics captured the pain and uncertainty of navigating young adulthood with a depth that resonated universally. Sharon Van Etten also explored similar themes on her eighth studio album, delving into topics like motherhood, relationships, and mortality.
This year also saw notable reissues and revivals of classic albums. The reissue of Talking Heads’ “Remain in Light” featured previously unreleased material from the original sessions. The album’s innovative blend of art rock, funk, and world music had a profound influence on many subsequent artists, including David Byrne himself.
Finally, several albums flew under the radar but are definitely worth checking out. Ruins of Civilization’s self-titled debut was a raw and inventive noise-rock release from Japanese band. Haley Fohr’s second album as Command V Starr showcased her unique vocal style and ability to convey complex emotions through subtle nuance.
Reader Views
- KJKris J. · music critic
What's striking about this year's crop of albums is how many artists are still trying to define what electronic music even is in 2025. With the proliferation of sub-genres and Arca's genre-bending style, it's as if everyone's throwing their own definition into the mix. That said, one crucial aspect missing from this list is a discussion on accessibility – with prices for vinyl reissues skyrocketing and streaming services changing algorithms overnight, it's getting harder for new fans to discover these very albums they're praising.
- TSThe Stage Desk · editorial
The list of best albums of 2025 is predictably dominated by established acts, but what about the smaller labels and underground scenes that are really pushing the boundaries? The article glosses over the fact that some of the most innovative music this year came from artists who were able to experiment freely outside of mainstream expectations. Labels like Hyperdub and Tri Angle Records gave platforms to artists like Mura Masa and serpentwithfeet, whose genre-bending styles are truly redefining what we mean by "electronic" or "R&B".
- IOImani O. · indie musician
While I'm thrilled that FKA twigs' "Magdalene" took top honors, I think it's worth noting that 2025 also saw a rise in albums that blurred the lines between music and visual art. Artists like Flying Lotus and Björk have been experimenting with multimedia projects for years, but this year we saw more musicians incorporating visuals into their live shows and album releases. It's an exciting development, but one that deserves more attention – especially as record sales continue to decline in favor of streaming services.